When Books Meet Browsers

June 10, 2013 in Digital Publishing Platforms, Digital Strategy by Greg Albers

Today, at their annual Worldwide Developers Conference (WWDC), Apple announced that its iBooks app (and all the books sold through the iBookstore, including fixed-format and reflowable epubs and iBooks Author publications) would finally be available on desktop computers. Not PC desktops mind you, just Mac OS devices, but I guess it’s something and at least some folks believe it’s an exciting update to rejoice over. To me though, given how long it took Apple to expand iBooks to its own computers, it feels more of a defensive move by a reluctant company. I mean, why now? Perhaps to forestall a rising tide of digital publications that I believe will prove increasingly competitive to the carefully tended, private ecosystem surrounding iBooks: browser-based html5 books.

When made properly, browser-based digital publications can offer a highly immersive and interactive reading experiences that, with the help of responsive web design, can also work on any device with a modern web browser. For a company that has made a fortune controlling the simplified creation and distribution of beautiful digital content, web books that function as well or better, are as easy to make, and can be viewed on more devices, have got to be a little worrisome.

There are already many examples of these kind of publications out there, and an increasing number of tools you can use to make them, but there are a half-dozen that have come to my attention recently and that I have collected below. In fact, I’d started writing this post before Apple made their announcement this morning suggesting, to me at least, that the writing is already on the wall.

“Snowfall” by the New York Times, got lots of attention when it came out last year, including from our own Liz Neely who wrote about it here, and used it in a recent AAM panel.

Not to be outdone, “Firestorm” is the Guardian‘s own foray into “Snowfall”-like journalism complete with animations, audio and video enhancements and a very book-like table of contents.

The music site, Pitchfork has been creating a series of feature stories over the past year demonstrating the possibilities of building multiple publications with the same tools.

O’Reilly Media, who recently decided to stop talking about the future of publishing and to start making it, has this new example. Read more about their work here.

Looo.ch is an interesting alternative Russian site that, on a much smaller scale than the other examples, is successfully creating immersive web publications they call “spaces”.

And finally, the Art Institute of Chicago‘s Online Scholarly Catalogues and the associated OSCI Toolkit from the IMA Lab offer a more academic and structured approach to web-based digital publishing.

 

 

Digital Publishing at MCN Nov 7-10 Seattle

November 6, 2012 in Conferences, Digital Publishing Platforms, Organization and Workflow by Liz Neely

Tomorrow the Museum Computer Network (MCN) kicks off its 40th Annual  Conference in Seattle. Session topics cover a broad range of interests supporting this year’s theme – The Museum Unbound: Shifting Perspectives, Evolving Spaces, Disruptive Technologies.

While many sessions may be of interest for followers of the Bliki, it’s worth highlighting several sessions focused directly on digital publishing.

Starting off the week Wednesday, Charlie Moad and his colleagues from the Indianapolis Museum of Art lead the workshop “Digital Publishing with the OSCI Toolkit.” Participants will learn how to author online scholarly publications using tools developed as part of the Getty funded Online Scholarly Catalogue Initiative (OSCI).

Thursday, Scott Sayre of Sandbox Studios, Kyle Jaebker of the IMA Lab and I will discuss planning and authoring for the Art Institute of Chicago’s new LaunchPads. We’ll talk about collaborative team-based authoring and curatorial, digital media and publication workflows. The session is “It’s All in the Details: The Inner Workings of a Large-Scale Media Project.

Friday morning has been dubbed ‘Slack Day‘, a morning where attendees can choose short technical mini-workshops, maker activities, or unconference sessions.  Sheila Brennan of the Center for History and New Media at George Mason University is organizing an unconference session to explore building publications using feeds and plugins that would allow museums to collaborate with their communities on special topics by pulling in posts and contributions.

Friday afternoon, the Seattle Art Museum presents “The Seattle Art Museum Online Scholarly Catalogue of Chinese Painting and Calligraphy“, which is part of the Getty’s OSCI Initiative.

Saturday also has its share of digital publishing starting with Bliki contributor and Hol Arts Books founder Greg Albers speaking in “Moving Forward by Looking Sideways: Creative Thinking in Museum Digital Strategy“. In this session chaired by Sarah Hromack and Erica Gangsei, Greg will talk about the lessons he’s learned as a business startup and digital publisher, and how museums might apply them to their own practices.

Rachel Craft from the Indianapolis Museum of Art talks about her museum’s agile and creative approach to publishing Saturday afternoon in a session called “Agile Digital Publishing.”

The closing plenary is a participatory session chaired by Corey Timpson where we collectively document the main themes of the conference. With all the intriguing sessions occurring through the week, I am hopeful that we’ll collect some interesting themes surrounding digital publishing in museums.

Please leave a comment if I left something out! Hopefully I’ll see some of you in Seattle.

Institutional Strategies: One Step at a Time

May 26, 2012 in Business Models, Digital Strategy by Amy Weber Parkolap

In the February/March bulletin for the American Society for Information Science and Technology, Nik Honeysett writes an excellent article about institutional adjustments that are vital to a digital publishing initiative:

Surely, switching to digital is only a matter of merging the publication and new media departments or creating a workflow pipeline between the two, right? Unfortunately the solution is more complex, because this switch involves some cultural, business, financial and technological paradigm shifts.

What defines your institutional digital publishing strategy?  Read below to discover the Getty Museum’s by Nik Honeysett, Head of Administration at the Getty Museum, excerpted from “The Future of Museum Scholarly Catalogues,” ARIST (Annual Review of Information Science and Technology) Bulletin (Feb./Mar. 2012).

  • “This transition does not require an immediate, all encompassing solution;
  • “We need to experiment at all stages of the process with possible throwaway work;
  • “The initial publication must be big enough to test the process and functionality, yet small enough to complete;
  • “We are as non-disruptive as possible.”